The Hero's Journey is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. Understanding this template is a priority for story or screenwriters:
The Hero's Journey:
• Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.
• Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.
• Interpreted metaphorically, laterally and symbolically, allows an infinite number of varied stories to be created.
The Hero's Journey is also a study of repeating patterns in successful stories and screenplays. It is compelling that screenwriters have a higher probability of producing quality work when they mirror the recurring patterns found in successful screenplays.
Consider this:
• Titanic (1997) grossed over $600,000,000 – uses the Hero's Journey as a template.
• Star Wars (1977) grossed over $460,000,000 - uses the Hero's Journey as a template.
• Shrek 2 (2004) grossed over $436,000,000 - uses the Hero's Journey as a template.
• ET (1982) grossed over $434,000,000 - uses the Hero's Journey as a template.
• Spiderman (2002) grossed over $432,000,000 - uses the Hero's Journey as a template.
• Out of Africa (1985), Terms of Endearment (1983), Dances with Wolves (1990), Gladiator (2000) – All Academy Award Winners Best Film are based on the Hero's Journey.
• Anti-hero stories (Raging Bull (1980), Goodfellas (1990) etc) are all based on the Hero's Journey.
• Heroine’s Journey stories (Million Dollar Baby (2004), Out of Africa (1980) etc) are all based on the Hero's Journey.
Screenwriting Misconceptions: Description
It is said, quite rightly, that film is a visual medium and that screenplays should seek to create visual images with words.
However, screenwriters often interpret this to mean that description should be non-existent.
Whilst description should not be excessive, it should be remembered that the screenplay is a word document that will be read by a reader (and hopefully more senior decision makers) and that words must be used to create pictures in the mind of those decision makers; description has a place in the screenplay.
Lets use Dances with Wolves as an example (2000). Much is made of the "Frontier" and the "Majesty of the Prairies". These scenes required slightly more description to communicate the message and make those scenes captivating in the screenplay.
Learn more…
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Kal Bishop, MBA
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Kal Bishop is a management consultant based in London, UK. His specialities include Knowledge Management and Creativity and Innovation Management. He has consulted in the visual media and software industries and for clients such as Toshiba and Transport for London. He has led Improv, creativity and innovation workshops, exhibited artwork in San Francisco, Los Angeles and London and written a number of screenplays. He is a passionate traveller. He can be reached at
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