The Hero's Journey is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. Understanding this template is a priority for story or screenwriters:
The Hero's Journey:
• Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.
• Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.
• Interpreted metaphorically, laterally and symbolically, allows an infinite number of varied stories to be created.
The Hero's Journey is also a study of repeating patterns in successful stories and screenplays. It is compelling that screenwriters have a higher probability of producing quality work when they mirror the recurring patterns found in successful screenplays.
Consider this:
• Titanic (1997) grossed over $600,000,000 – uses the Hero's Journey as a template.
• Star Wars (1977) grossed over $460,000,000 - uses the Hero's Journey as a template.
• Shrek 2 (2004) grossed over $436,000,000 - uses the Hero's Journey as a template.
• ET (1982) grossed over $434,000,000 - uses the Hero's Journey as a template.
• Spiderman (2002) grossed over $432,000,000 - uses the Hero's Journey as a template.
• Out of Africa (1985), Terms of Endearment (1983), Dances with Wolves (1990), Gladiator (2000) – All Academy Award Winners Best Film are based on the Hero's Journey.
• Anti-hero stories (Raging Bull (1980), Goodfellas (1990) etc) are all based on the Hero's Journey.
• Heroine’s Journey stories (Million Dollar Baby (2004), Out of Africa (1980) etc) are all based on the Hero's Journey.
Hero's Journey - The Unbearable Antagonism
Once the hero is engaged in his battle with the Outer Challenge /Antagonist, he or she is initially surprisingly weak.
Having Transformed, Seized the Sword and undergone the Rebirth, it would be seem that the hero is well capable of defeating the Outer Challenge.
However, there are at least two reasons why the hero seems to lose: a) the antagonism is significant and too easy a victory would reduce the magnitude of the eventual accomplishment; b) initial weakness and loss magnifies the eventual catharsis.
The hero thus turns from weak to strong, from resistant to willing. The cause of the change is often due to the unbearable antagonism enacted by the antagonist.
In Return of the Jedi (1983), Luke does not give in to Vader - until he threatens Leia.
In Spiderman (2000), Peter does not want to despatch the Green Goblin until he forces him to.
Learn more…
The Complete 188 stage Hero’s Journey and FREE 17 stage sample and other story structure templates can be found at
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Kal Bishop, MBA
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Kal Bishop is a management consultant based in London, UK. His specialities include Knowledge Management and Creativity and Innovation Management. He has consulted in the visual media and software industries and for clients such as Toshiba and Transport for London. He has led Improv, creativity and innovation workshops, exhibited artwork in San Francisco, Los Angeles and London and written a number of screenplays. He is a passionate traveller. He can be reached at
http://managing-creativity.com/Article Source:
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